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TerryTunes is an exciting re-editing of the legendary collection of fifty-seven Clark Terry's compositions that was originally published in the 1970s, now long out of print. This new version corrects any musical errors, with invaluable added material from Clark about his revolutionary doodle-tonguing method. Doodle-tonguing syllables have also been added to 21 of the tunes; it's impossible not to swing when singing the melodies with these syllables! There is also a new, enhanced biography, a message from Clark, two pages of doodle-tonguing information and training, plus a selected discography including nine recordings containing one or more of the TerryTunes songs and other important Clark Terry recordings. This book is not just for trumpeters, but for any student or professional musician wanting to discover Clark's vast repertoire, his inventive compositional ideas, and his insights on the Interpretation of the Jazz Language. This book was produced by William Paterson University, and part of the proceeds of the sales will go to support the Clark Terry Archive on that campus.

  Available Items by Clark Terry About Clark Terry 

Website: http://www.clarkterry.com

Clark Terry's career in jazz spans more than sixty years. He is a world-class trumpeter, flugelhornist, educator, and NEA Jazz Master. He performed for seven U.S. Presidents, and was a Jazz Ambassador for State Department tours in the Middle East and Africa. More than fifty jazz festivals in all seven continents still feature him. He received a Grammy Award, two Grammy certificates, three Grammy nominations, thirteen honorary doctorates, keys to cities, lifetime achievements and halls of fame awards. He was knighted in Germany and is the recipient of the French Order of Arts and Letters. Clark's star on the Walk of Fame, and his Black World History Museum's life-sized wax figure can both be visited in his hometown, St. Louis, Missouri.

Clark composed more than two hundred jazz songs, and his books include Let's Talk Trumpet: From Legit to Jazz, Interpretation of the Jazz Language and Clark Terry's System of Circular Breathing for Woodwind and Brass Instruments.

He recorded with The London Symphony Orchestra, The Dutch Metropole Orchestra, The Duke Ellington Orchestra and The Chicago Jazz Orchestra, at least thirty high school and college ensembles, his own duos, trios, quartets, quintets, sextets, octets, and two big bands -- Clark Terry's Big Bad Band and Clark Terry's Young Titans of Jazz. His career as both leader and sideman with more than three hundred recordings demonstrates that he is one of the luminaries in jazz.

Clark's discography reads like a "Who's Who In Jazz," with personnel that includes great jazz artists such as Duke Ellington, Count Basie, Quincy Jones, Ella Fitzgerald, Oscar Peterson, Dizzy Gillespie, Dinah Washington, Ben Webster, Charlie Barnet, Doc Severinsen, Ray Charles, Billy Strayhorn, Dexter Gordon, Thelonious Monk, Billie Holiday, Sarah Vaughn, Coleman Hawkins, Zoot Sims, Milt Jackson, Bob Brookmeyer, Jon Faddis, and Dianne Reeves.

"Clark Terry," writes Chuck Berg, "is one of contemporary music's great innovators, and justly celebrated for his great technical virtuosity, swinging lyricism, and impeccable good taste. Combining these with the gifts of a great dramatist, Clark is a master storyteller whose spellbinding musical 'tales' leave audiences thrilled and always awaiting more."

In the 1940s, after serving in the Navy, Clark's musical star rose rapidly with successful stints in the bands of George Hudson, Charlie Barnet, Charlie Ventura, Eddie Vinson, and then in 1948 -- the great Count Basie. In addition to his outstanding musical contribution to these bands, Mr. Terry exerted a positive influence on musicians such as Miles Davis and Quincy Jones, both of whom credit Clark as a formidable influence during the early stages of their careers. In 1951 Clark was asked to join Maestro Duke Ellington's renowned orchestra where he stayed for eight years as a featured soloist.

Following a tour with Harold Arlen's "Free and Easy" show directed by Quincy Jones in 1960, Clark's international recognition soared when he accepted an offer from the National Broadcasting Company to become its first African American staff musician. Soon after, Clark became a ten year television star as one of the spotlighted players in the Tonight Show band where he scored a smash hit as a singer with his irrepressible "Mumbles." From the 70's through the 90's, Clark performed at Carnegie Hall, Town Hall, and Lincoln Center, toured with the Newport Jazz All Stars and Jazz at the Philharmonic, and he was featured with Skitch Henderson's New York Pops Orchestra. Since 2000, he hosts Clark Terry Jazz Festivals on land and sea, and his own jazz camps.

Prompted early in his career by Dr. Billy Taylor, Clark and Milt Hinton bought instruments for and gave instruction to young hopefuls which planted the seed that became Jazz Mobile in Harlem. This venture tugged at Clark's greatest love - involving youth in the perpetuation of Jazz. Between global performances, Clark continues to share wholeheartedly his jazz expertise and encourage students.

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